Posts tagged camera gear
Why I Switched From Nikon to Sony

If you’ve spent any amount of time with a photographer, you’ll have no doubt heard about their preferred brand of camera and why it’s the best thing to use.

For me that was Nikon. I started with a little Nikon D3200 that was a perfect beginner camera. It had all the main manual functions that I knew how to use at a pretty low price point.

After that, I picked up a Nikon D750 and was entirely in love with it. I paired it with a 24-120mm f/4 zoom lens, a 50mm 1.8 and an 85mm 1.8 D series lens. The 85mm was my absolute favorite, and I couldn’t get enough of its swirly bokeh and tack sharpness. 

Shot with a Nikon D750 with a Nikon 24-120mm lens in Austin, TX.

Shot with a Nikon D750 with a Nikon 24-120mm lens in Austin, TX.

The D750 was the perfect mix of functionality, style, and effectiveness. I was able to capture 1080p video with the ability to switch quickly back to a brilliant portrait style camera. 

Travel

Shot with a Nikon D750 with a 50mm 1.8D lens in Paris, France.

Shot with a Nikon D750 with a 50mm 1.8D lens in Paris, France.

In 2016 I packed up my D750 and a single 50mm lens for a trip to Paris and Amsterdam. The ensuing photos are some of my absolute favorites, but the experience of carrying around the D750 with a small lens and battery pack was less than ideal. More and more I found myself trying to pare down my kit for a lighter travel load, and the D750 wasn’t cutting it. 

A full day of walking around the canals of Amsterdam left me with a pretty sore neck and back. 

Video

Another breaking point was the inability to shoot 4K video and Nikon not having a line of dedicated cinema cameras. I didn’t want to invest more money in a system that wasn’t compatible with my future endeavors. Canon has the C-series line of pro camcorders, and Sony’s FS camcorders are quickly catching up while Nikon focuses mainly on DSLR’s.  

Finding a Replacement

I narrowed my options down to the Canon 5D Mark IV and the Sony a7Rii, but after going into a store and handling both cameras, the small form factor of the mirrorless Sony easily won out over the bulkier Canon. 

I based a lot of my decision on ease of use when traveling and the a7Rii beat the 5D Mark IV on size alone. I pack almost exclusively in a carry-on so space is premium and the smaller footprint of the Sony won out.

Shot with the Sony a7Rii with a Sony 50mm 1.8 lens in Seattle.

Shot with the Sony a7Rii with a Sony 50mm 1.8 lens in Seattle.

My kit now consists of the Sony a7Rii with a Sony 50mm 1.8 and the new Sony 24-105mm f/4 which has been incredible. 

Lens Mount

One of my favorite things about the Sony system is its ability to accept other company's lenses through adapters. You can put an adapter on a Nikon, but you lose a lot of the functionality. With something like the Metabones EF to E T Smart Adapter you can use all the autofocus functions of Sony cameras while using newer Canon lenses. 

Shot with a Sony a7Rii with a Metabones T Smart Adapter and a Canon 70-200mm IS lens in Houston.

Shot with a Sony a7Rii with a Metabones T Smart Adapter and a Canon 70-200mm IS lens in Houston.

Drawbacks of the Sony a7Rii

My biggest qualm with the a7Rii is that its small size means that battery life is pretty awful, especially when shooting video. The batteries themselves are tiny and don’t hold a charge for very long. I’ve found a bit of a compromise by rigging up an external battery pack that extends my shooting by a ton, but it adds to the bulk. To be clear, it’s only a small problem, but can be annoying when traveling and not going back to your home base all day long. 

The new Sony a7iii has a unique style battery that is said to almost double the battery life of the NP-FW50 battery that fits the a7Rii, which I’m eager to try out. You can read more about the new a7iii here

Shot with Sony a7Rii with a Sony 50mm 1.8 lens in Seattle.

Shot with Sony a7Rii with a Sony 50mm 1.8 lens in Seattle.

Conclusion

I’ve had my Sony setup for about seven months now, and I can’t remember a single time when I’ve regretted the switch from Nikon. After spending some time traveling with the new setup, the smaller weight, superior video specs, and fabulous low-light capabilities have only confirmed that I made the right choice. 

Now to get my hands on a Sony FS5 and see how my set of lenses looks on a full-fledged pro cinema camera. 

Travel Camera Gear Guide

I recently read "Rock Your Travel Photography: Camera Gear Guide" from Ashlea of A Globe Well Travelled and it got me thinking about what my ideal travel photo camera gear setup is. Ashlea has some great tips for getting started with cameras for travel and this list is meant to build off that. And if you haven't checked out A Globe Well Travelled do so. Lots of great tips, tricks and reviews for the avid traveller. Easily one of my favorite travel blogs and some great video blogs too.

A 3.5" Digital Beginning

440px-Sony_Mavica_FD5_4040.jpg

The first digital camera that I ever used was a Sony Mavica that stored all of its imaging data on a 3.5" floppy disk. It was about as big as a sandwich box and looked nothing like what a camera was supposed to look like. I mainly lugged it around on field trips, to basketball games and making would be selfies at my house. At the time, the 0.3 megapixel images were stunning and oddly large in size when compared with the RAW image files I shoot today. It was the beginning of a love affair and pretty much replaced my collection of disposable cameras.

Since then I've tried all types of digital cameras big and small. Here's what I recommend for the budding travel photographer.

Travel Camera Gear Guide

In this guide I'll cover options for DSLR, mirrorless and smartphone cameras. I don't have a lot of experience with action cams like the GoPro Hero 5, which I'm told is the best, so if you're looking for one, that's probably the best choice.

DSLR

When it comes to DSLR's I've been a pretty loyal Nikon guy for years now. I started with a Nikon D3200 that was excellent for travel photo and video. That's now been replaced with the Nikon D3400, a compact entry DSLR that boasts a 24.2MP DX-Format CMOS Sensor. The trade off between the D3400 and my favored Nikon D750 is all in the size of sensor. The D3400 uses a cropped sensor that basically zooms in from what you actually see. So if you're using a 24mm lens, you get the equivalent of a 36mm lens view due to the 1.5 crop factor. For most people, this won't make a difference at all. The pictures are still crisp, clear and beautiful, just exposed on a slightly smaller image sensor.

Taken with my Nikon D3200.

Taken with my Nikon D3200.

The 18-55mm kit lens that comes with the D3400 will work well for most travel photography and covers the major basics for video as well. Speaking of video, the D3400 captures 1080p HD video at up to 60 frames per second for excellent slow-mo video. Some of the best video shots I've taken have come from entry-level DSLR's, meaning you don't have to have all the bells and whistles to get good footage.

Early last year I upgraded to the aforementioned Nikon D750 and I absolutely love it. The full frame FX image sensor allows for much better low light photography, especially when paired with a super fast prime lens like the 50mm 1.4G. Basically, the larger image sensor allows  more light in to expose the frame so even when shooting at night I can get sharp, beautifully lit images. One thing that I've really enjoyed is the expanded options for videography that the D750 allows for. With a HDMI out, mic in and headphone port I can record better audio in camera or from an external video recorder like the Atomos Ninja 2.

Taken with my Nikon D750 in downtown Houston.

Taken with my Nikon D750 in downtown Houston.

For an in between choice, the Nikon D500 offers all the options of the D750 with added support for 4k video and the best autofocus system I've yet to use in a camera. The price is steep for a DX style camera, but it should future proof you from having to upgrade as quickly. Another great thing about the D500 and it's DX sensor is that lenses for DX cameras tend to be cheaper and easier to find used.

Mirrorless Cameras

If I had to do it all over again, I'd probably have started with buying a mirrorless camera for travel. The ultra compact size and ability to handle low light make it almost unbeatable when looking to build a small, portable kit. Since they don't have an angled mirror in body, mirrorless cameras fit into a smaller form factor, sending light directly from lens to sensor. My favorite mirrorless camera is the Sony A7SII as I've talked about before. It's ability to record beautiful images and video make it a travelers dream.

If you're looking to spend a little less money and don't mind the smaller image sensor, the Sony a6300 with a 16-50mm lens is a great choice. With internal 4K recording and a 24.2 megapixel sensor, it should be able to cover everything needed on even the most demanding of trips.

I purchased the newly released Fujifilm X-T20 mirrorless camera recently and it's everything I hoped it would be. The retro stylings and the ability to apply film simulation in frame to achieve a super stylized look really make it a great option. The internal 4K and versatile autofocus settings more than make up for its smaller sensor size. At $1,200 with an 18-55mm 2.8-4.0 lens it makes for an ideal travel camera.

fuji x-t20
fuji x-t20

One thing I really had to get used to on the X-T20 was the electronic viewfinder. Coming from a traditional Nikon setup, the EVF on the Fuji threw me off a little bit. The digital blur definitely takes a bit of getting used to but I love how the touchscreen shuts off every time I bring the camera up to my eye. I've been really impressed with the quality of color and depth that I've gotten out of this little sensor. Using the Provia, Acros and Neg. Hi. film simulation settings, I'm able to get some really cool images with very little post processing.

Shot with my Fuji X-T20 in downtown Houston.

Shot with my Fuji X-T20 in downtown Houston.

My favorite part about the X-T20 is the physical aperture ring around the 18-55mm lens. It feels like I'm actually manipulating something with my hands, even though it's all electronic. The buttons and dials make it feel like you're recreating that film shooting experience and it makes me think about my shots more before I take them.

Shot with my Fuji X-T20 in downtown Houston.

Shot with my Fuji X-T20 in downtown Houston.

Smartphones

I've always said the best camera is the one that you have with you. You never know when a moment is going to happen so having a smartphone with a good camera can be key to capturing those moments. I currently use an iPhone 6 with the Filmic Pro app for video and the VSCO app for images. Filmic Pro allows for more customization when filming and can really enhance your travel videography.

A smartphone camera is better than a point and shoot because it has basically the same functions and you're more likely to carry it with you. So instead of getting a point and shoot, just invest in a better phone like the new iPhone 7 (I'm dying to try out the new Portrait Mode) and you'll be happier and your bag lighter.

Find What Works For You

Having a good camera setup really depends on what you prefer and the type of use. I like to shoot a lot of video so I emphasize that in my gear. If you're more of a still shooter, then I'd say invest in some really good zoom lenses for whatever camera you use. I tend to work more with prime lenses (50mm, 85mm) because of the swirly bokeh and ease of use in video but a good 16-80mm can really make life a lot easier when traveling, covering all your bases. I used my Nikon D750 and a single 50mm lens in Paris & Amsterdam and loved the experience of not having so much gear with me.

Remember, travel photography is about having fun and capturing moments. Build a camera kit around what feels good and how you plan to shoot, because when you're happy you see the world differently. The camera is simply there to catch that happiness in frame.